by Pa Rock
Poetry Appreciator
Last year on this holiday I wrote a bit about the history of Memorial Day which was officially known as "Decoration Day," the day for decorating graves, up until 1967. I remember that my parents referred to the holiday as "Decoration Day" their entire lives. Last year in this space I printed Henry Wadsworth Longfellow's poem, "Decoration Day," as a homage to the history of the event. Today I am updating with Michael Anania's "Memorial Day," a poem which the American poet penned in 1994.
I particularly like the first three lines of this poem which so accurately describe a situation that my Aunt Mary and I found ourselves in a few years ago. We were at the veteran's cemetery in San Diego, the one on the beautiful hilltop overlooking San Diego and Coronado Island, and Aunt Mary wanted to show me the grave of my uncle and her husband, Wayne Hearcel Macy, a World War II veteran who had died in 1956. Veteran's cemeteries tend to have thousands of stones and they all look alike, so it is easy to get disoriented while looking for a particular grave, no matter how many times one has been to that grave. Aunt Mary, who had been to the cemetery and to Uncle Wayne's grave on times too numerous to count, quickly seemed to become upset that she could not walk directly to his grave. Eventually we found it, but the experience was quite disconcerting, especially for her.
Michael Anania's verse brought back memories of that search.
I particularly like the first three lines of this poem which so accurately describe a situation that my Aunt Mary and I found ourselves in a few years ago. We were at the veteran's cemetery in San Diego, the one on the beautiful hilltop overlooking San Diego and Coronado Island, and Aunt Mary wanted to show me the grave of my uncle and her husband, Wayne Hearcel Macy, a World War II veteran who had died in 1956. Veteran's cemeteries tend to have thousands of stones and they all look alike, so it is easy to get disoriented while looking for a particular grave, no matter how many times one has been to that grave. Aunt Mary, who had been to the cemetery and to Uncle Wayne's grave on times too numerous to count, quickly seemed to become upset that she could not walk directly to his grave. Eventually we found it, but the experience was quite disconcerting, especially for her.
Michael Anania's verse brought back memories of that search.
Memorial Day
by Michael Anania
It is easily forgotten, year to
year, exactly where the plot is,
though the place is entirely
familiar—
a willow tree by a curving
roadway
sweeping black asphalt with tender
leaves;
damp grass strewn with flower
boxes,
canvas chairs, darkskinned old
ladies
circling in draped black crepe
family stones,
fingers cramped red at the
knuckles, discolored
nails, fresh soil for new plants,
old rosaries;
such fingers kneading the damp
earth gently down
on new roots, black humus caught in
grey hair
brushed back, and the single
waterfaucet,
birdlike upon its grey pipe stem,
a stream opening at its foot.
We know the stories that are told,
by starts and stops, by bent men at
strange joy
regarding the precise enactments of
their own
gesturing. And among the women
there will be
a naming of families, a counting
off, an ordering.
The morning may be brilliant; the
season
is one of brilliances—sunlight
through
the fountained willow behind us,
its splayed
shadow spreading westward, our
shadows westward,
irregular across damp grass, the
close-set stones.
It may be that since our walk there
is faltering,
moving in careful steps around
snow-on-the-mountain,
bluebells and zebragrass toward
that place
between the willow and the
waterfaucet, the way
is lost, that we have no practiced
step there,
and walking, our own sway and
balance, fails us.
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