by Pa Rock
Reader
Reader
Earl Derr Biggers was a Harvard graduate who became a
journalist in the early years of the twentieth century. His interest in writing eventually led him
to a modest career as a novelist and playwright. Biggers’ reputation as a writer, along with his body
of work, would have eventually disappeared into the dusts of time if it was not
for one of his character creations who caught the imagination of both the
American reading public and Hollywood.
That character was the inscrutable Chinese detective, Charlie Chan.
The original Charlie Chan as created by Earl Derr Biggers
was a very rotund Chinese gentleman who was employed as a detective with the
Honolulu Police Department. He spoke
pigeon English, always had a pithy little quote ready to clarify a situation or
emphasize some human foible, and he had a unique ability to sort through clues
and determine which were germane to an investigation and which were not. Mr. Chan was a highly skilled detective who
was well respected by those he encountered on the job, and nothing at all like
the sinister stereotypes of Chinese which were prevalent at that time.
In my never-ending quest to become conversant in low-brow
literature of the twenties and thirties, I recently encountered the first
Charlie Chan novel, The House Without a
Key, which was written in 1925. Earl
Derr Biggers went on to write five more books featuring his famous detective
before dying at the early age of forty-eight.
By the time of Mr. Biggers’ death, Charlie Chan had been showcased in
several movies and had proven to be just as popular in Shanghai, China, as he
was in America. Charlie Chan was also on
the radio and had appeared in American comic books.
Many critics felt that Charlie Chan was the most memorable
fictional detective since Sherlock Holmes.
The House Without a
Key surprised me with its clever plotting and beautiful writing. Most of the story takes place in Honolulu of
the 1920’s, and the lush descriptions of the city, and in particular the old
hotels and mansions on Waikiki Beach, truly make the reader pine for a time
that has long sense passed. The
Americanization of Hawaii was one of the themes of novel, with several of the
characters reminiscing about the islands as they knew them in their youth – in the
1880’s – a time when the monarchy still ruled.
However, for those of us bound in present times, Hawaii in the 1920’s
sounds like Heaven on Earth.
Biggers was very subtle in his introduction of Charlie Chan
– in fact, the detective didn’t even appear until the seventh chapter. The first six chapters were dedicated to
describing Honolulu in the twenties, setting the stage with a murder, and
carefully introducing each of the family members and other suspects. Biggers’ character descriptions were so
thorough that I was put in mind of the works of Dame Agatha Christie.
The novel went well beyond the storyline of a murder and
subsequent investigation. It also talked
of opium smuggling, blackbirding (essentially trading in slaves), and the
struggles of a young Bostonian as he was torn between the rigidity of his New
England background and the free and easy lifestyle of Hawaii. And there was a luau, fights along the
waterfront, and romantic moonlight swims in the warm Pacific Ocean.
The House Without a
Key captured Hawaii as it was nearly ninety years ago, a beautiful place -
and one that Earl Derr Biggers obviously knew well. The cleverness of Charlie Chan was well
complemented by the serene beauty of the city and the island that he called
home.
This was a wonderful read!
This was a wonderful read!
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